Famous teachers produce great apprentices, and teaching also teaches each other

2024年10月10日 17:00      中视一带一路频道


   ——Artist Wang Chengyou and his mentor Lu Yushun integrate calligraphy and painting to help international civilizations learn from each other and people-to-people bonds.

General Secretary Xi Jinping emphasized that cultural relics and cultural heritage carry the genes and blood of the Chinese nation and are non-renewable and irreplaceable outstanding Chinese civilization resources. It is necessary to bring more cultural relics and cultural heritage to life and create a strong social atmosphere for inheriting Chinese civilization. It is necessary to actively promote the protection and utilization of cultural relics and the protection and inheritance of cultural heritage, explore the multiple values of cultural relics and cultural heritage, and spread more value symbols and cultural products that carry Chinese culture and Chinese spirit.

Intangible cultural heritage, as a treasure of Chinese civilization, carries rich historical and cultural information. Among them, the purple clay teapot has become the leader among pottery with its unique craftsmanship and profound cultural connotation. The purple clay teapot is produced in Dingshu Town, Yixing City, Jiangsu Province, China. It is a teapot made of purple clay as the main raw material. In 2006, the purple clay teapot was included in the first batch of national intangible cultural heritage lists.

The purple clay teapot is not only a vessel, but also a work of art with profound cultural connotations. In the carvings of the pot body, there are often elements such as landscapes, flowers, birds, and figures, showing a strong humanistic atmosphere. In addition, purple clay teapots have an indissoluble bond with literati. Many literati devoted their efforts to it and left countless words of praise. These words of praise complement its unique artistic shape, making the purple clay teapot an important representative of Chinese culture. The purple clay teapot integrates poetry, painting, and sculpture, showing the breadth and depth of Chinese culture. At the same time, it also carries the essence of tea culture and is a symbol of tea tasting, self-cultivation, and nourishment. The purple clay teapot is a good vessel for drinking tea. "The name of the pot is expensive, and the word is passed down with the pot." It adds elegance to ordinary tea. From its inception in the mid-Ming Dynasty to the present, literati have participated in the design and production of purple clay teapots, making purple clay teapots no longer a mere tea vessel but rising to an artistic level.

According to existing objects and historical records, famous calligraphers and painters Dong Qichang, Zheng Banqiao, Wu Changshuo, Ren Bonian, etc. all wrote poems and inscriptions on purple clay teapots. Among them, the purple clay teapot with inscriptions and inscriptions by Chen Mansheng in the Qing Dynasty is very famous and is very popular among literati and scholars, and is called "Mansheng teapot".

In the process of protecting and inheriting the intangible cultural heritage purple sand, innovation is also an indispensable part. The combination of tradition and modernity not only maintains the traditional charm of the purple clay teapot, but also injects new creative elements, giving it new vitality and vitality. In this way, we can better pass on this thousand-year-old cultural treasure and leave a rich cultural heritage for future generations. As a representative of China's intangible cultural heritage, the purple clay teapot's profound historical heritage, unique production techniques and rich cultural connotations are worthy of our cherishment and inheritance.

Lu Yushun, former president of the National Academy of China, doctoral tutor at the China Academy of Art, and current dean of the Chinese Painting Research Institute at Communication University of China, emphasized that only by adhering to integrity and innovating can we open up a new realm of art creation in the new era, and it must be in a new historical direction. Clarify the new development direction, build a new development pattern, and plan a new development blueprint. We must always keep in mind that creation is the central task, and works are the foundation of our lives. We must improve the effectiveness of high-quality development of art creation research and high-quality cultivation of talent teams. We must adhere to the development concept of "building souls with bacon, keeping integrity and innovation" and adhering to "academic establishment, talent development". "Establishing an institute and establishing an institute with high-quality products", adheres to the "people-centered" creative orientation, focuses on strengthening thematic art creation, actively practices the normal practice of going deep into life and taking root in the people, and always focuses on major national decisions and deployments, important historical time nodes and cultural tourism The central work of the department carries out creative research work, and effectively plays the role of demonstration, leadership and guidance in the art major. Better present a credible, lovely and respectable image of China to the world, more proactively and consciously build a new era of Chinese art in the Chinese spirit, and move towards the peak of art creation. "

In his long-term teaching practice, Dean Lu Yushun has always adhered to the concept of "teaching and mutual learning", and has gone deep into nature, people, and life with many students to create sketches, integrate different forms of works, and provide teaching guidance. As a favorite disciple of Dean Lu, Zisha artist Wang Chengyou’s works were highly praised by Dean Lu: Wang Chengyou’s works all focus on real life, and express appropriate content and life through the form of art, which naturally contains the essence of art. Thinking and practicing innovation and creation, and at the same time, making good use of the intangible cultural heritage purple sand language symbols to interpret traditional Chinese culture, empowering traditional culture to go to the world through diverse media carriers.

Wang Chengyou has been practicing the international mission of spreading Zisha Silk Road culture for many years, keeping integrity and innovation, and inheriting traditional Chinese culture through the practice of blending calligraphy, painting and pottery: telling Chinese stories well with Zisha intangible cultural heritage.

Wang Chengyou was born in a family of purple clay pottery artists. He has been practicing art for more than 30 years, inheriting and developing purple clay intangible cultural heritage skills, and has successively created "Flying Silk Road", "One Belt and One Road", "Peace Pot", "70th Anniversary of the Founding of the People's Republic of China" and "Ode to Chang'an". There are more than 100 pieces of works. In November 2016, he visited the Republic of Vanuatu and personally presented the "China-Vanuatu Peace Pot" created by President Baldwin Lonsdale for the friendship between the two countries, becoming the first person to personally present a purple clay pot to a foreign president. artist. In December 2018, "One Belt and One Road" Yixing Zisha went to Egypt and the United Arab Emirates (Dubai) for cultural exchanges, and personally presented the specially created "Silk Road Lift Pot" to former Egyptian Prime Minister Issam Sharaf, and was appointed as the "Egyptian ·Chinese Cultural Exchange Envoy". In June 2019, as a special guest, he participated in the "Belt and Road" Project Cooperation Summit held at the National Convention Center in Beijing. At the meeting, the work "One Belt and One Road Purple Clay Tea Set" was selected as the designated supplies for the "Belt and Road" Project Cooperation Summit.

In 2023, his work "Flying Silk Road" was unveiled at the 3rd "One Belt, One Road" International Cooperation Forum, and received special reports from Russian, Vietnamese and other national television media. It uses purple sand intangible cultural heritage to tell Chinese stories and spread China on the world stage. Spirit.

 

 

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In September 2024, Wang Chengyou was invited to attend the 2024 China-Africa Private Economic Cooperation Forum. He brought the work "Flying Silk Road" to cultural exchanges with Chinese and foreign guests on the stage, which had a great impact.

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In September 2024, during the 2024 Beijing Cultural Forum, on the occasion of the 75th anniversary of the founding of the People's Republic of China, the work "Heaven, Earth and Man" co-created by Wang Chengyou and his mentor Lu Yushun was unveiled at the National Academy of Painting. It was affirmed and highly praised by Lu Yushun, and he was pleased to There is a long inscription "Elephant of the Universe" on the rubbings of the work.

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At the same time, he once again used the theme of blending calligraphy and painting with pottery, and painted and inscribed Wang Chengyou’s work "Square Bamboo Pot" to promote "mutual learning among civilizations and people-to-people ties" with practical actions, to help his disciples' mission of spreading Zisha Silk Road culture to the world, and to contribute to high-quality Contribute to the joint construction of the “Belt and Road”. (Silk Road Pioneer Officer/Text)

October 5, 2024

来源:欧洲时报英文版      责编:一带一路微视、一带一路中国网

 


 

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