2017 集美阿尔勒国际摄影艺术季 * 在地行动单元

展览时间／Exhibition Period：
11.26 -12.18, 2017
地点 ／ Location：登永楼（集美街集岑路11号）／No.11，Jichen Road, Jimei, Xiamen

执行团队：三尺营造社
 Execution Team of  3Chi ToC Society

场地支持：联发文旅大社   
Site Support by XUDC Dashe Company

伍时雄  |  大社绘：小子看好啦，由你接班！

 Shining Wu , DASHE UKIYO-E: Hey Boy, you gonna to take over,  17. 10. 2017

 
颜志伟  |  社祭：正月十五，2007-2017
Yan Zhiwei, Community Matsuri- Lantern Festival, 2007-2017

余雅玲  |  集美一户人家：阿扁的游乐园
Yu Yaling ，Play Garden for one Granny , 2017

 



周丽坤  |  墟·望 | 虚·妄
Zhou Likun， Ruins - Hope ／ False - Absurd, 2016-2017

》》》      展览前言       》》》

文／孔雁

      在21世纪的今天，数码技术、智能手机、网络传播的迅猛发展使世界快速进入了一个全民摄影时代，如果说照片、影像为信息化的传播制造了各种外在表象的伪语境的话，从中必然会生发出一个与现实无关的虚拟社区，这个社区住着一群彼此除了解一点表面情况外几乎一无所知的陌生人，但是我们的现实社会难道不也是如此吗？
80年代从事先锋摄影而在深圳创办《现代摄影》杂志的伍时雄，也像年轻人一样拿起手机，对集美学村进行了一年半间断性的照片日记，再用文字附加上一种是似而非的想象，由此构成他者关系的存在。

      在集美工作拍大社十几年的颜志伟，这次展出了十年以来大社闹元宵的节庆场景，以“游神”、“游戏”、“信徒”、“祭品”四个系列，再现了一个民间流传久远的“人与神”对话形式，一个原生鲜活并且仪式化的现实世界。

      大社本地人余雅玲，在参加三影堂的一次摄影工作坊中，“培养”了一个人物模特：马来西亚的归来华侨阿扁，在阿扁居住的建业楼里，“导演”了一幢屋、一户人家、一个阿婆的故事。

      周丽坤，不需要标签，只有冲突、灾难、绝望固化在静物似的风景照片中，熟悉的在地环境，不确定的意识流化蛹为蛾，扑伏在时间的自我现相中。

      发起大社计划正是缘于这四个人的创作生态，他们拍摄是因为作品就在日常生活中间，这也是艺术展览之所以出现在城中村而不是美术馆的原因。目前中国社会正在大力推行社区建设，这实际上意味着，中国基层社会生活的框架正在发生一次根本性的变化，我们正在离开一种以单位为基本框架的社会生活，而走向一种以市场和社区为框架的社会生活。大社计划则是一项公共艺术的创作工程，通过艺术家入驻社区，参与到社区中人文精神和建筑空间的营造中去，让艺术融入本真的价值。

策展人：孔雁
1991年毕业于中央美术学院美术史论系。策展、自由撰稿人、编辑；从事艺术管理、社会文化传播、创意设计产业和城市文化推广等方面的研究和实践工作二十余年，近年来主持多项国际性文化交流活动和公共艺术项目，并参与国内各级政府委托的城市文化创意产业和公共艺术规划的专题研究和策划。曾任深圳市公共艺术中心项目总监，主管深圳城市＼建筑双城双年展办公室工作。
 

Curator: Anna Kong

Graduated from the Central Academy of Fine Art in 1991/ Art Manager, freelance writer, editor. More than twenty years she had engaged in the art of management, socio-cultural communication, research and practical work for the creative design industry and urban culture promotion. Over the recent years, she presided a number of international cultural exchange activities and public art projects in China, participated in the studies and the plans for cultural industries and public art commissioned by the government. She served as project director of Shenzhen Public Art Center, director of the Shenzhen Urban\ Architecture Biennale office.

Forword

by Anna Kong

In the 21st century today, the rapid development of digital technology, smartphones,  and network communication makes the world shortly into an age of universal photography; if photographs and images have made the various external appearances for the transmission of information of pseudo context, it is bound to give out a has nothing to do with the reality of the virtual community, the community lived a group of strangers in addition to know each other a little almost nothing, but, doesn't the nature of our society like it?

Wu Shixiong, who engaged pioneering photography in the 1980s and founded the magazine "Modern Photography" in Shenzhen, also holding a mobile phone to make intermittent photo diary of Jimei Xuecun for 18 months like a youth, and adding a paradox imagination through character, thus constitute the existence of other's relations. Yan Zhiwei, who has worked in Jimei and photographed Dashe Village for more than a decade. By displays "god", "drama", "faithful" and "sacrifice" four series of Lantern Festival in Dashe Village, to reproduce a form of dialogue from folk best-known "man and god", a native and ritualized world of the living.

Yu Yaling, a local of Dashe Village, has cultivated a figure model in one of Three Shadows photography workshop: the overseas Chinese Abian who turns back China from Malaysia, then directed a story about the house, the family, and a pensioner woman in Jianye Building where Abian lives in. Zhou Likun, don't need to label, the only conflict, disaster, despair, curing in still life like the landscape photo, the familiar environment, uncertainty of stream of consciousness as a moth, flapping at the time of self phase.

I launched the DaSoHo project due to the creations from the four, they shoot because there is an ubiquitous harvest  in daily life, this is also the reason why the art exhibition was appeared in the villages rather than gallery. Chinese society is actively promoting community construction currently, this will mean in effect that China's basic framework of social life is undergoing a fundamental change, we are leaving a kind of social life which uses unit as basic framework, and entry to another kind of social life in the framework of market and community. The DaSoHo is a public art project that involves artists entering the community and participating in the humanistic spirit and space construction in the community for integrating art atmosphere into life. At the same time, the community residents participate in public art activities, which also help to improve residents' sense of identity and belonging to the community and find the most ecological and authentic value of the moment.  (  Translate by Sander Chow)

   现场纪录 
      集美区文体旅游局吴吉堂局长参观展览

2017集美阿尔勒国际摄影季总策展人黎静第三次前来现场参观大社计划

 VIP导览     








策展人与艺术家合影

以上图片由伍时雄、颜志伟、余雅玲、周丽坤提供，转载请注明出处。
英文翻译：周小登 Sander Chow

“大社计划”在地艺术项目由策展人孔雁发起，参与者有艺术家伍时雄、声音艺术家大奥、新锐艺术家陈湰新、罗景林、独立摄影师刘旭阳、在地摄影师颜志伟、余雅玲、周丽坤、空间营造践行者张尧、胡泰、策展人周小登、规划师肖铭和建筑师张明珍等，旨在集合致力摄影艺术和以影像／声音为媒介进行数字艺术创作和实践者，以厦门集美大社为核心活动地点，运用图片、影像、视频、声音、文字等数字化的艺术表现形式，记录和分享当代中国鲜活的社会现场。

DaSoho Local Action Project is curated by Kong Yan, and participated in by Wu Shixiong, sound artist Dao, avant- garde artist Chen Longxin, Luo Jinglin, independent photographer Liu Xuyang, local photographer Yan Zhiwei, Yu Yaling, Zhou Likun and space maker Zhang Yao and Hu Tai, curator Sander Chow, Planner Xiao Ming and architect Zhang Mingzhen .

This project gathers Xiamen’s professional and amateur photographers, image and sound artists, members of education, film, and creative industries, academic researchers, fashion designers, and media people, who would work at Jimei Dashe as the core activities venue, for field research, material collection and discussion. Using a artistic perspective, the artists use pictures, images, videos, texts and other digital forms including LED screen display on the "opera stage" and on the ancestral hall square. They also organize the exhibitions and workshops in art studios and old houses in the community. Also with the help of internet- based interaction, they record and share the regenerative history, building environment, humanities education, and living conditions of the modern School Village, as well as the real-time status of the community.

责编：中视微视